
RYAN POLLOCK
As a working-class filmmaker from Wishaw, a small, post-industrial town outside of Glasgow, I’ve spent my life navigating the confined, concrete landscapes that surround me, and I’ve found much of my creative voice within the gritty, often harsh realities of my community. The films I’ve created are deeply rooted in this environment, focusing on the lives of people within my hometown, particularly in Gowkthrapple housing estate—an area notorious for high-levels of depravation and violence—the place I was born and where generations of my family have lived. It’s an environment that has shaped me, and I feel a deep responsibility to capture and define my patch as authentically as possible through my work. The three films I’ve provided as examples of my work were all shot and set in this area.
That said, this residency represents an extraordinary opportunity to push beyond the small, constraining world I’ve known. The North Atlantic Islands Residency offers a rare chance to step outside the boundaries of my town and engage with the vast, open spaces of the sea—an environment I’ve long been fascinated by. Growing up, my heroes were Jack London, Joseph Conrad, and Jack Kerouac—three writers whose works were not only defined by adventure but by the vastness of the sea, a theme that reverberates deeply within me. Their affinity for the ocean as a site of challenge, exploration, and self-
discovery has greatly influenced my own approach to storytelling, and this residency would allow me to channel that inspiration into my filmmaking practice.
I’ve long been captivated by the emotional and psychological landscapes created by being at sea; the isolation, the freedom, and the timeless connection between humans and the ocean have always intrigued me. Currently, I am in the early stages of developing a script centred around Captain William Kidd of Greenock—an undertaking that would greatly benefit from the immersive research opportunities this residency offers. The chance to physically and emotionally engage with the challenges involved in this voyage would provide invaluable fieldwork for this project, allowing me to create a more authentic and nuanced depiction of the sea's emotional impact.
Moreover, my collaborative work with artists from other disciplines has been a central part of my filmmaking career. I’ve always believed that the most powerful work emerges from the exchange of ideas across mediums and perspectives. At the residency, I look forward to engaging with fellow artists and innovators, sharing knowledge and drawing inspiration from their varied practices. The prospect of contributing to a collective exhibition and publication for 2026 is exciting—especially as it will allow me to channel the juxtaposition between my own environment and the sea's emotional dynamics into a larger, multifaceted narrative.